Good Company
A continuous figurative frieze exploring companionship, intimacy, and the body in unguarded proximity. Executed in mixed media — sanguin, oil pastel, and wash — directly on site, the work develops a single processional composition around the room's architecture. Its palette of warm flesh tones against cool sage and indigo grounds establishes an atmosphere of closeness without explicitness; its loose, unfinished-feeling line work insists on intimacy as process rather than image.
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